CHAPTER
ONE: MEXICO
Most of the people
at the Detente-Doniphan wedding reception had seen somebody jump
out of a cake before, in the movies if not in person, but nevertheless,
they were all taken quite by surprise when that fella in the
blaze-orange ski mask damn near erupted right out of the middle
of the four-tiered wedding cake, put a McDonald's straw to his
lips and shot Leslie Marshall Doniphan, mother of the bride,
in the neck with a blow dart.
His aim was impeccable,
this masked man, and Leslie, who also happened to be the Chancellor
of Mexico State University and a former United States Senator
-- the first female Senator ever from Missouri -- keeled over
immediately with a tiny dart lodged in her jugular vein, dead
on the spot.
First Lieutenant
Craig McKittrick (he'd been promoted from Lieutenant for his
part in solving the Percy Crocker murder, but we'll get to that
later) didn't know Leslie was dead when he brandished his firearm
and shot that fella square in the chest -- he would later say
he was just acting on instinct, which I have a hard time believing,
since most of Craig's police-related instincts revolve around
playing Free Cell at the station house, and that day at the wedding
was the first time he had ever discharged his service revolver
outside of the firing range. But, a hero's a hero, I suppose,
and for killing Chancellor Doniphan's assassin, he was not only
given a lifetime 10% discount at the El Vaquero -- the only genuine
Tex-Mex restaurant in Mexico, Missouri, Houston Cowgill would
no doubt want me to mention -- but he was also promptly promoted
to captain.
However, since
Craig killed the fella before anybody'd had a chance to question
him, nobody at the wedding had any idea who, in fact, that masked
man was -- even after they pulled off his mask. All anybody knew
was that Chancellor Doniphan was dead, an anonymous blow-dart
assassin was dead, and murder had come to visit Mexico once again.
Before we get
any further, I probably should introduce myself. My name's Culp
-- Emo Culp. I've lived in Mexico my entire life, and I used
to write a column called "A Nose For News" for the
local paper down here, "The Daily Mexican." I don't
write it any more, at least not for a while -- I'm locked up
in the Audrain County Jail for another three to eight years for
the murder of Percy Crocker. Now, I know the Sheriff, Glenallen
Plad, real well -- hell, Glen and I used to meet for chili at
the G & D Family Steakhouse down by the Wal-Mart every other
Wednesday, before he locked me away -- and he understands that
though I did in fact kill Percy Crocker, there were extenuating
circumstances (namely, Percy's confession that ten years earlier
he had killed his wife Ashley (who also happened to have been
the love of my life), and my subsequent rage at finally having
my suspicions of this confirmed), and so he takes it pretty easy
on me. He let me bring my laptop into my jail cell (though he
won't let me connect to the Internet; I've still got to communicate
with people via the United States Postal Service, or on a phone
with a glass pane between us), and I'm free to write as much
as I like, which, with plenty of time on my hands, I've been
doing. In fact, had I known that incarceration would have afforded
me the opportunity to read and write as much as I have these
last two years, I might've killed Percy earlier, just out of
principle. I used to have a stack of books that were "one
day" books -- books that I really wanted to read one day,
but never seemed to find the time to get to -- and now I've plowed
my way through that whole stack, plus most of the books in that
Modern Library Top 100 English-language novels of the 20th Century
List, and I've started reading the entire John Updike oeuvre
in chronological order. I'm up to "Rabbit at Rest."
Anyway, in addition
to all that reading, I've had some time to do some writing. I
haven't penned The Great American Novel yet, though I plan to
-- I've been too busy telling the tales of what's happened here
in Mexico. I explained the whole Percy Crocker mystery in "Soy
de Mexico," an expertly-told tale, if I do say so myself,
in which the twist of the story -- the thing that made it such
a good book, if you ask me -- was that the narrator and killer
were the same person, in this case, me. But you don't find that
out until the very end, of course. That would've made reading
the book no fun at all.
Now, in this
book you're reading, I promise you -- I'm telling you right up
front -- I am not the killer. First of all, I would never have
killed Senator/Chancellor Leslie Marshall Doniphan. She's an
absolutely lovely woman, her sister is, or was, I suppose, the
late Ashley Crocker, who as I mentioned earlier was the love
of my life, and she was always very good to me whenever I needed
a piece about the University. Some administrators have been a
real pain in the patoot, if you know what I mean, when it comes
to talking to the media, but Chancellor Doniphan understood that
cooperating with journalists just made everybody's life easier.
Of course, I suppose the fact that she was Ashley's little sister,
and I had known her since she wore diapers, made it easy for
her to trust me. Leslie was also always very kind to animals,
and I'm a big believer that people who are kind to animals --
not the ones who'll just tolerate it when a dog comes up and
wants to sniff their crotch, but the ones who go out of their
way to be kind to animals -- are incapable of having hate in
their hearts. Now, I suppose there are a few serial killers who
were truly, truly kind to dogs, but it's my belief that they're
the exception to the rule. The way I see it, if a person's kind
to animals -- truly kind, like I said before -- you can trust
them with your life.
So like I was
saying, I've been busy writing, first the story of the murder
of Percy Crocker, and now the story of the murder of Leslie Marshall
Doniphan. Now, as I'm sure you know by now, I do in fact know
who the killer is -- well, at least who's responsible for the
killing -- but I'm not going to tell you that just yet. Frankly,
that would spoil the plot. And seeing as I haven't been able
to run a column in nearly two years -- Glen says it would be
unseemly for an incarcerated man to have his own newspaper column,
and I suppose I must concede he's got a point -- I'm willing
to do whatever I can to keep a reader engaged. Which, now that
I say that, I'm probably failing to do at this very moment right
now -- I've gone off rambling about me, and about reading and
writing in jail, and about a bunch of things that really don't
have much to do with anything, and you're probably much more
interested in that masked blow-dart assassin, and why he wanted
to kill Leslie Marshall Doniphan at her daughter's wedding. And
frankly, that's a much more interesting story than anything about
me, so I'm thinking we should get back to that.
The initial murder
weapon, the blow dart, was rather quiet -- if you'dve been listening,
you might've heard a "whoosh," but otherwise, blow
darts, poisonous or not, tend to be damn near silent, which is
how they're able to succeed as such a subtle killing mechanism
-- but the blast from Craig McKittrick's .38 Special was loud
enough, particularly since the room had gone quiet for the cutting
of the cake, that practically everybody in the Three and a Half
Seasons heard it, and came running immediately to the Barnett
Ballroom.
The Barnett Ballroom,
named after Mexico's most illustrious mayor, Aldrich Barnett,
is the crown jewel of the Three and a Half Seasons in Mexico,
which sits astride Lakeview Lake like some sort of Victorian
palace.
The Three and
a Half Seasons (or the Three and a Half, as it's known around
town), began its life fully intending to become a Super 8, but
it never quite got there. Construction began on it in 1993, but
the zoning board, feeling a little bit full of themselves, also
approved a permit for a new Holiday Inn Express on the other
side of town two months later, thinking there were enough business
travelers coming in to Mexico to merit two national chain hotels.
Well, in 1993, the Holiday Inn Express concept was only two years
old, but was already making major waves in the hotel industry,
and those Holiday Inn folks had all but perfected the process
of building a new property and getting it up and running within
six months. I don't know the exact details, but I think they
were building prefab hotels somewhere in Arkansas and shipping
them wherever they needed to be. Super 8 had no such plan, so
before they could even finish the first floor of their property,
the Holiday Inn Express was already up and running.
Not surprisingly,
business at the Holiday Inn Express wasn't exactly booming --
this is Mexico, after all, not Hannibal -- and based on the Holiday
Inn Express vacancy rate, the people at the Super 8 began to
reconsider whether they wanted to continue to dump money into
a hotel that would rarely, if ever, surpass 37% occupancy, except
on homecoming and graduation weekends at Mexico State.
So, in an attempt
to convert a potentially-disastrous business proposition into
something that wasn't a total loss, the Super 8 people tried
to con the Motel 6 people into buying the property from them;
they claimed that the opportunity in Mexico was truly fantastic,
but that alas, it just "wasn't where their business was
going right now." Fortunately for Tom Bodett and everybody
else in the company, nobody at Motel 6 was buying it -- figuratively
or literally. The Super 8 folks tried shopping the property around
a bit, but not surprisingly, there were no takers, and from mid-1993
to October of 2002, the lot lay untouched, a frightening-looking
ghost of a low-rent hotel that never was. It was Percy Crocker,
of all people, who brought that lot back to life.
Well, not directly,
of course. Percy wasn't exactly a hotelier -- he was a gas grill
man. He had made his fortune with OriFlame, one of the nation's
largest manufacturers of propane grills, and the largest employer
in Mexico outside of the University, and as a loyal alum of Mexico
State, he had left half his fortune in his will to MSU -- and,
much to the delight of then-Chancellor Doniphan, the funs were
unrestricted. As such, several scholarships were established
in Percy's name, a freshman residence hall was named after him,
and with the money that was left over, Chancellor Leslie Marshall
Doniphan created the university's first new college in ten years,
as the Percy A. Crocker School of Hospitality and Tourism, or
PAC-SHIT, as it unfortunately came to be known among the undergraduates,
joined the College of Arts & Sciences, the College of Business
Administration and the College of Engineering under the Mexico
State umbrella. Leslie later made an executive decision and changed
the name to the Percy A. Crocker School of Hospitality and Hotel
and Restaurant Management, primarily because it was much more
difficult to come up with a dirty acronym based on those letters,
but you know undergrads -- you give them a good nickname for
something, and it'll stick around for years.
Anyway, since
none of the Missouri state institutions offered a hospitality
school, it was hoped that the PAC-SHIT would become a breeding
ground for top hotel and hospitality professionals across the
state, and in an effort to ensure the school's success, Leslie
thought that the University needed a top-flight hotel right here
in Mexico in which to train its students. As such, she approached
several of the top hotel chains, and thanks to her name recognition
as a former U.S. Senator, was able to get many of them to visit
Mexico and inspect the site she had selected for the new hotel
-- the Lakeview Lake-side site of the incomplete Super 8. In
a bit of a coup, she had quietly bought the land for herself
from Cendant, Super 8's parent company, for pennies on the dollar
when she had first returned to Mexico from Washington, D.C. after
her term in the Senate, thinking it might be a nice investment
property. So, when the University assumed its half of the Crocker
estate, she had the property appraised -- at six times what she'd
paid for it -- and then used Percy's money to buy the land from
herself for the new hospitality school.
Well, a Senator's
name will get people like Hyatt, Hilton and the Four Seasons
to show up in Mexico, but it certainly won't get them to invest
in a place that Super 8 deemed unfit for business, and needless
to say, there were no takers. Determined, Leslie decided she
would just go right ahead and build her own high-class hotel,
and tell all her friends at Hyatt, Hilton and the Four Seasons
that they were not welcome to stay there.
When it came
time to pick a name, she considered calling it University Towers,
but the place wasn't even a single tower, let alone two; when
the Super 8 folks had stopped at the first floor, they weren't
a tenth of the way to completion -- they were half way. Thanks
to some persistent negotiating, Leslie got the professors in
the civil engineering department to say the foundation would
support three floors, but they all agreed that if she tried to
go for four, they'd have to call the authorities, which meant
that the hotel, whatever it ended up being called, would never
be mistaken for a high-rise. So, after ruling out University
Towers, the Doniphan Center (too narcissistic) and the Vasco
da Gama (a nice tribute to the MSU mascot, but she felt it conjured
images of a Spanish prison more than an upscale hotel), she settled
on the Three and a Half Seasons, inspired by an offhand comment
that her friend from the Four Seasons had made: "A Four
Seasons here, dear? I don't think Mexico merits a Four Seasons.
Three and a half, maybe, but definitely not four." Whether
out of spite, or simply to thumb our collective nose at those
who said Mexico wasn't worthy of world-class luxury, the Three
and a Half Seasons it was. Personally, I would've called it the
Conquistador, but considering I killed the man whose money made
the whole thing possible, I can understand why they didn't take
my suggestion.
But I digress
-- I was telling you about Leslie Marshall Doniphan getting shot
with the blow dart.
At first, not
everybody realized what had happened; in fact, many people thought
that the guy jumping out of the cake was just a fun surprise
that somebody had planned for the new couple. How anybody could
conceive of a guy in a blaze-orange ski mask jumping out of a
cake as a fun wedding surprise I'll never know, but we are talking
about Mexico, Missouri, here -- it ain't the civilized capital
of the world. But anyway, when the fella first jumped out of
the cake, some people clapped and cheered. But Craig was standing
near the cake, since he was hoping to get one of the first slices,
so he was watching intently when the fella popped out. And, as
he will no doubt tell several generations of future Mexicans,
as soon as he saw that fella put the straw to his lips and blow,
his keen police instincts kicked in, and he knew something fishy
was up. He saw where the man was aiming, saw that it was Leslie,
then saw her go down. He would later say that the whole thing
seemed like it was happening in slow motion. "It was like
I was in the zone," he told me. "You know how they
say that in the big games, in crunch time, when the quarterback
has to make a crucial decision, that for the good ones, like
Joe Montana, that everything slows down, and they can just see
everything clearly?" I nodded, somewhat amazed that Craig
was about to compare himself to Joe Montana. "Well, that's
what it was like for me," he continued. "Everything
just slowed down, and when I saw that dart pierce Senator Doniphan,
I didn't even have to think to pull out my gun. I just reacted."
Which is how Stella and Hiram's beautiful white wedding cake
got drenched in blood.
Craig's shot
was quite possibly the most perfect shot he's ever made, or ever
will make, in his life. The blow-darter had blown his dart, and
was squatting down in the cake, preparing to jump out, when Craig's
bullet pierced his rib cage and drove right through his heart.
The shot knocked him back, taking several layers of cake with
him, and he landed on his back in a pool of frosting and blood.
"Call an ambulance!" Craig shouted. "Somebody
call a doctor!" Already, though, there was a doctor in the
room -- Dr. Marion Marlborough, the doctor who had delivered
Stella when she was born, was kneeling at Leslie's side. Calmly,
he put his fingers to her neck to look for a pulse. Finding none,
he put his hand over her eyes and closed her eyelids, just like
they do in the movies.
"I'm sorry,
Stella," he said. "There's no pulse. She's gone."
Stella, like
the rest of the room, was in shock. She'd been used to being
worried about assassination attempts when her mother was a Senator,
and when they'd lived in D.C.; several times, when Leslie was
working on controversial legislation, or taking an unpopular
stance, she had had Secret Service agents assigned to her for
protection. But since moving back to Mexico, Leslie had never
worried about protection, and Stella hadn't thought twice about
it either. She was thinking twice about it then.
"Don't move!"
Craig yelled at the limp corpse of the masked blow-darter, standing
spread-legged above him, his gun aimed unsteadily at his head.
"I said, 'Don't move!'"
"Craig,
I think he's dead," said Houston Cowgill. Houston, as I
may have mentioned before, is the proprietor of the El Vaquero,
the only authentic Tex-Mex restaurant in Mexico.
"I think
I saw him twitch, Houston."
"Okay, Craig,"
Houston said. "You keep your gun on him, and I'll see if
he's dead."
"Good idea,"
Craig replied. "But don't pull his mask off."
"Why?"
"Because
I want to pull his mask off," Craig replied. He was trembling,
and his gun was still aimed at the masked man's chest.
"Okay, Craig.
Fair enough," Houston replied. "You shot him, I suppose
you ought to be the one to de-mask him." Houston leaned
over and repeated what Dr. Marlborough had done. He didn't find
a pulse, either. "There's no pulse, Craig. I think he's
dead."
"You think
he's dead, or you know he's dead?" Craig said. He was still
shaking. He'd never shot anybody before, and while he hoped that
his aim had been true, and that he'd killed the man -- especially
now that he knew Leslie was dead -- the fact that he had taken
a man's life was playing hell on his nerves.
"I know
he's dead, Craig," Houston said. "Look." Houston
picked up the man's limp left arm and let it go. It plopped convincingly
to the floor, where it sent a bit of frosting flying. "The
man ain't going anywhere. Put down the gun and come take off
his mask."
"Okay,"
Craig said finally. "But he better be dead." Craig
put his gun into his holster and slowly walked over to the body.
As if at some sort of morbid carnival, many members of the crowd
moved from circling around Leslie's dead body to circling around
the assassin's dead body, because they'd heard something was
about to happen over there. Most of them felt guilty, but they
couldn't turn themselves away. That's the nature of a train wreck,
I suppose -- as much as you know you shouldn't want to look,
you can't imagine not looking. So they crowded around, and Craig
slowly reached for the mask. In what definitely was slow motion,
he grasped the top of it and held it tight. Finally, after what
seemed like an eternity, he yanked it off. The mask crackled
with static electricity, and the crowd gasped. None of them knew
why -- it wasn't like anybody recognized the guy.
"Who the
hell is that?" Houston said.
Nobody knew.
But if Stella's cousin Durham -- Percy's son, Leslie's nephew
-- had been at the wedding, as soon as that mask had come off,
he would've said, "That's Joplin Stiles," which would
have given the authorities something to go on.
Only problem
was, on the day of Stella and Hiram's wedding, Durham still hadn't
made it back from Mexico. The country, that is.
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